Shaw's comedy of ideologies looks forty years to the future at the impossibility of government as the British cabinet and monarchy face a day of "crisis" for the country. King Magnus is happy to engage a prime minister seeking to transform the nation into a constitutional monarchy, but who truly rules in this democracy: the king, the government or the businessmen? And do any of them care about the people?

King Magnus's position as monarch is in danger - can he “upset the apple cart“ and preserve his throne?

A cart is rolling along the endless road with no-one on aboard, with no horse or engine, or even sails - just the wheels turning by themselves. There are different people it rolls by, and there are different reactions it leaves behind.

Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.

Three beer cart girls hatch a plan to take advantage of the pretentious golfing guys; everything is going smoothly until one bedazzled golf ball goes rogue and lands our girls in some serious trouble.

Nancy was the new secretary at the Happy Apple advertising agency.Despite being ill-educated, she had a remarkable gift; she could come up with the most brilliantly simple and most effective advertising slogans without trying. Of Course her bosses exploited her ability to the full.

"The Apples" (1955) is the graduation film of two of the most important directors of the following decades, Iulian Mihu and Manole Marcus, and shows a young couple mocked by a nobleman because they had stolen some apples from his estate.

Torben is a shiny young apple with a dream: making it to the bright lights of the supermarket fruit section. But his dream is shattered one sunny morning when a worm pokes her head out of his perfect skin. Sylvia is her name, and she is really very nice.

“Cart Show2”是在韩国国内首次在空荡荡的大型超市里设立工作室,可以看到明星们购物习惯和幕后故事的"open market综艺"。

Spencer Appleberry, a United States Marine, returns home to find himself in a dead-end job and addicted to alcohol. When a sympathetic Iraqi therapist takes him under her wing and introduces him to her older brother, Spencer finds civilian life can be just as dangerous as war.